The music industry is dead …
July 1st, 2008… long live music
Over the weekend Stephen Webster agreed to manage us. Yesterday Gary and I had a brief meeting with him and told him that the reason we wanted him as our manager was precisely that he isn’t in the music industry. The music industry, unless you happen to be Radiohead, is pretty much dead and everyone’s scrabbling around looking for new ways to make a living out of this thing called music. We were briefly involved with a major manager within the industry. It didn’t lead anywhere, but as Stephen said, “Band signs to mainstream music manager” isn’t news. “Band to be managed by rock ‘n’ roll jeweller” is.
A few years back when P2P first became the new way to get your music, Davo (our one time roadie and full time Good Guy1) asked me what I thought of Napster2. I replied that while I was an obvious nett loser on the deal (to wit - I’ll sell less records), I thought it was for the best on balance, because it meant that bands might actually have to learn to put on a performance again and that the few decades during which musicians could amass a quantity of money completely out of proportion to any work that they’d put in would be seen as a blip on the musical map.
The true answer to the question, of course, lies somewhere between that and the status quo (sic). Artists continue to benefit from sales, but to a lesser degree and I maintain that the need to play live again to earn your keep has been beneficial overall3.
1Davo still crews a bit as far as I know, largely for Manic Street Preachers and The Verve, but he is a brilliant musician in his own right with his band Johnny Boy. Here he is at the last Carbon Casino playing with James Dean Bradfield (and Pete Wiley as I recall, out of shot).
2Personally I download from P2P type networks either to check that the record I’m about to buy is the one I think it is, or because I can’t be bothered to trawl through all my vinyl.
3I met a Russian pop star once who tol me that it’s always been the case that in Russia they made no money on records, but only released them to draw people to gigs.















